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Social History, Popular Culture, and Politics in Germany (Series)

Social History, Popular Culture, and Politics in Germany is a showcase for the best work in German Studies across the disciplines, drawing cutting-edge scholarship from the fields of history, cultural and literary studies, visual culture and film. It seeks to address central questions of the history of German-speaking cultures with no restrictions of period, approach, or region/locale. The series is aimed at the points of intersection of history, culture, and political possibility, offering a venue for the best of recent research and discussion.

Series Editor

Kathleen Canning, Dept. of History, University of Michigan

Editorial Board

Kerstin Barndt, Dept. of Germanic Languages and Literatures, University of Michigan
Rita Chin, Dept. of History, University of Michigan
Tracie Matysik, Dept. of History, University of Texas - Austin
Elizabeth Otto, Dept. of Visual Studies, University at Buffalo
Uta Poiger, Dept. of History, Northeastern University
Helmut Puff, Dept. of Germanic Languages and Literatures, University of Michigan
Mark Roseman, Dept. of History, Indiana University, Bloomington
Eli Rubin, Dept. of History, Western Michigan University
Annemarie H. Sammartino, Dept. of History, Oberlin College
Scott Spector, Dept. of History and Dept. of Germanic Languages and Literatures, University of Michigan
Tara Zahra, Dept. of History, University of Chicago
Andrew Zimmerman, Dept. of History, George Washington University

Submissions

Authors interested in submitting their work for possible publication in the series are requested to send materials as email attachments rather than via postal mail. Please send a message plus attachments to the Press editor for the series, Katie D. LaPlant, Ph.D. klaplant@umich.edu

Kindly include a prospectus, c.v., table of contents, and three sample chapters, preferably the first three chapters of the work.

Showing 1 to 4 of 4 results.

White Rebels in Black

German Appropriation of Black Popular Culture

Investigates the appropriation of black popular culture as a symbol of rebellion in postwar Germany

Passing Illusions

Jewish Visibility in Weimar Germany

Challenges the notion that Weimar Jews sought to be invisible or indistinguishable from other Germans by “passing” as non-Jews

 

After the Nazi Racial State

Difference and Democracy in Germany and Europe

An investigation of the concept of "race" in post-Nazi Germany

Other Germans

Black Germans and the Politics of Race, Gender, and Memory in the Third Reich

Tells the story, through analysis and oral history, of a nearly forgotten minority under Hitler's regime